On female comedians:

heatherannehogan:

Maybe the way it works for a new show is a bunch of TV execs sit around with wires and EKGs attached to their wangs, and when I was on screen, the needle dipped dangerously into the Code Red Anti-Boner Zone. I was starting to feel like the ten years of training and performing and sweating it out pre-SNL, plus the seven years at SNL, all went out the window because I didn’t have a symmetrical face. This would have been OK if at some point along the way I had gotten the memo: “Oh, and if you want to be a successful female comedian, you better have a symmetrical face.”

Maybe I was naive, but this was the first I was hearing of it. I grew up watching perfectly lovely female performers whom I don’t think you would call “hotties”: Gilda Radner, Lily Tomlin, Carol Burnett. Those were my comedy idols. I would think of the genius Jean Stapleton of All in the Family and how today some ding-dong in the network would insist she be played by Megan Fox to get the male 18-49 demographic. “People,” he’d say at the meeting. “Megan can be very funny.” I had always been pretty sure comedy was about producing laughs and not a boner. Now I had to produce laughs and a boner? When did the rules change? This is not the kind of stuff you consider when you are young and dreaming about becoming an actor and thinking: “I have fun doing the school plays!”

I cannot recommend Rachel Dratch’s memoir, Girl Walks into a Bar…, highly enough. I paid $30(!!!) for it because I am in the business of buying real books at full retail from ladies I love, and it was worth every penny.

  • Letter from Joan Rivers:
Dear Louis: Here’s the good news, kid: You’re here to stay. The bad news? Your chosen life’s work, comedy, is a steaming shithole of cruelty and degeneracy owned and operated by deranged, unattractive thieves. Ignore them. Push forward. Play by your rules and KEEP GOING. Wear blinders if necessary, but KEEP GOING. Don’t let other people tell you what’s funny. Don’t read your reviews— the bad ones hurt too much and the good ones make you weak. It’s all about ego and the moment you start to think you’re wonderful, it’s over—you’ve peaked. Finally, and I can’t stress this enough, always be good to older Jewish comediennes who were nice to you when you were starting out and had your head so far up your own ass that you had to clean out your ears just to see. You’re welcome. Now, who do I see about my check?

    Letter from Joan Rivers:

    Dear Louis:

    Here’s the good news, kid: You’re here to stay. The bad news? Your chosen life’s work, comedy, is a steaming shithole of cruelty and degeneracy owned and operated by deranged, unattractive thieves. Ignore them. Push forward. Play by your rules and KEEP GOING. Wear blinders if necessary, but KEEP GOING. Don’t let other people tell you what’s funny. Don’t read your reviews— the bad ones hurt too much and the good ones make you weak. It’s all about ego and the moment you start to think you’re wonderful, it’s over—you’ve peaked.

    Finally, and I can’t stress this enough, always be good to older Jewish comediennes who were nice to you when you were starting out and had your head so far up your own ass that you had to clean out your ears just to see.

    You’re welcome. Now, who do I see about my check?